We couldn’t be more honored to have The Slasher Film Festival Strategy “Crimson Throne” picked as RECORD OF THE WEEK by aQuarius Records! Read the stunning review here and head on over to www.aquariusrecords.org to pick up a copy!

SLASHER FILM FESTIVAL STRATEGY, THE Crimson Throne (Foreign Sounds) lp 14.98
Not sure how we managed to miss this one, with a name like that. Well, making up for last time, this one got sent to us a while back, and we finally gave it a listen and we were thoroughly blown away. And what’s not to dig? The work of just one man, Christopher Ashley, aka The Slasher Film Festival Strategy, Crimson Throne is a stunner, trafficking in a sound similar to the current crop of retro synth wranglers, conjuring up lost scores to never-existed seventies horror flicks and lost art house giallos, and while that sound has been done to death recently, A) it’s a sound we never get tired of, and B) this guy does it way better than most. The synth sounds are thick and gristly, the melodies sinister and ominous, the tracks laced with skeletal drum machines, and sweeping epic backdrops, as far as Carpenter / Goblin worship goes, it doesn’t get much better than this. The opener sets the scene, a smoldering sprawl of gristly synth buzz, anchored by a low end bassline, a melody soon creeps in, it’s not hard to imagine the credits rolling, a lonely figure walking through an abandoned town, strange shadows behind the darkened windows, is the figure a potential victim, or the person everyone fears? A pulsing throb surfaces, ominous synth swells add some emotional tension, and soon the song blossoms into a full on moody minor key synth dirge, the drums pounding, the various synths swirling, so sinister and creepy and so obviously sonic portent of impending doom!
And so it goes, every track here the potential soundtrack for some lost B movie classic, from the almost disco drums and groovy synth pulse of the title track, wreathed in sweeping swaths of keyboard shimmer, to the creeping kosmische swirl of “Weightless”, which would no doubt score some 2001 A Space Odyssey type sentient computer / alien on board seventies sci-fi thriller, to the drum machine driven new wave-y grooviness of “Solar Winds”, which sounds like the weirdly and creepily jaunty music that plays beneath the closing credits, over the last image freeze-framed, alternately, it also sounds like some lost cold wave gem that could be a Dark Entries reissue! And there’s so much more. Rad synthscapery of every stripe, total retro, creep out, imaginary soundtrack, kosmische, new age, space drift bliss, peppered with blasts of disco-y grooviness, woozy psychedelic synth drift, and haunting woozy vocodered minimal wave (check out closer “Day Eighteen”). The whole thing dedicated to the Space Shuttle Ambition!? So good.
Essential listening for fans of Expo 70, Umberto, Blizaro, Zombi, Majeure, Xander Harris, Gatekeeper, Nightsatan, etc…